Anne Of Green Gables (Chapter 3 & 4) Cozy Bedtime Story

Welcome to Drift Off Bedtime Stories.

I'm your host Joanne,

And I'm so glad you've joined me.

Tonight,

We begin a new journey together as we dive into the timeless classic Anne of Green Gables by Lucy Maud Montgomery.

Each Sunday,

I'll be narrating a few chapters,

Offering a gentle escape into the charming world of Anne Shirley and the beautiful landscapes of Prince Edward Island.

Now,

Before we begin,

Let's take a moment to relax and settle in.

Find a comfortable position,

Gently close your eyes,

And take a deep breath in,

And slowly exhale.

Feel your body beginning to unwind as you let go of any tension.

Imagine yourself in a peaceful,

Cosy space,

Ready to drift off into a world of imagination and rest.

And so,

My friend,

Let's step into the enchanting world now of Anne of Green Gables.

Chapter 3.

Marilla Cuthbert is Surprised.

Marilla walked briskly forward as Matthew opened the door,

But when her eyes landed on the odd little figure in the stiff,

Ugly dress with the long braids of red hair and the eager bright eyes,

She stopped short in amazement.

Matthew Cuthbert,

Who is that?

She exclaimed.

Where is the boy?

There wasn't any boy,

Said Matthew,

Clearly upset.

There was only her.

He nodded at the child,

Realizing he hadn't even asked her name.

No boy?

But there must have been a boy,

Insisted Marilla.

We told Mrs.

Spencer to bring a boy.

Well,

She didn't.

She brought her.

I asked the station master,

And I had to bring her home.

She couldn't be left there,

No matter where the mix-up happened.

Well,

This is a fine mess,

Exclaimed Marilla.

During this conversation,

The child had remained silent,

Her eyes darting from one to the other,

All the excitement draining from her face.

Suddenly,

She seemed to grasp the full meaning of what had been said.

Dropping her precious carpet bag,

She sprang forward a step and clasped her hands.

You don't want me,

She cried.

You don't want me because I'm not a boy.

I should have expected this.

Nobody ever wants me.

I should have known it was all too good to be true.

I should have known nobody really did want me.

Oh,

What shall I do?

I'm going to cry.

And cry she did.

Sitting down on a chair by the table,

Flinging her arms out upon it and burying her face in them,

She cried stormily.

Marilla and Matthew looked at each other helplessly across the stove.

Neither of them knew what to say or do.

Finally,

Marilla stepped in awkwardly.

Well,

Well,

There's no need to cry so much about it.

Yes,

There is,

The child raised her head quickly,

Revealing a tear-stained face and trembling lips.

You would cry too if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy.

Oh,

This is the most tragic thing that ever happened to me.

Something like a reluctant smile,

Rather rusty from long disuse,

Softened Marilla's grim expression.

Well,

Don't cry anymore.

We're not going to turn you out tonight.

You'll have to stay here until we investigate this matter.

What's your name?

The child hesitated for a moment.

Will you please call me Cordelia,

She said eagerly.

Call you Cordelia?

Is that your name?

No,

It's not exactly my name,

But I would love to be called Cordelia.

It's such a perfectly elegant name.

I don't know what on earth you mean.

If Cordelia isn't your name,

What is?

Anne Shirley reluctantly admitted the girl.

But,

Oh,

Please do call me Cordelia.

It can't matter much to you what you call me.

If I'm only going to be here a little while,

Can it?

And Anne is such an unromantic name.

Unromantic nonsense,

Said the unsympathetic Marilla.

Anne is a real good,

Plain,

Sensible name.

You've no need to be ashamed of it.

Oh,

I'm not ashamed of it,

Explained Anne.

Only,

I like Cordelia better.

I've always imagined that my name was Cordelia.

At least,

I always have in recent years.

When I was younger,

I used to imagine it was Geraldine,

But I like Cordelia better now.

But if you call me Anne,

Please call me Anne,

Spelled with an E.

What difference does it make how it's spelled?

Asked Marilla,

With another rusty smile as she picked up the teapot.

Oh,

It makes such a difference.

It looks so much nicer.

When you hear a name pronounced,

Can't you always see it in your mind,

Just as if it were printed out?

I can.

And A-N-N looks dreadful,

But A-N-N-E looks so much more distinguished.

If you'll only call me Anne,

Spelled with an E,

I shall try to reconcile myself to not being called Cordelia.

Very well then.

Anne,

Spelled with an E,

Can you tell us how this mistake happened?

We sent word to Mrs.

Spencer to bring us a boy.

Were there no boys at the asylum?

Oh,

Yes,

There were plenty of them.

But Mrs.

Spencer said distinctly that you wanted a girl about eleven years old,

And the matron said she thought I would do.

You don't know how delighted I was.

I couldn't sleep all last night for joy.

Oh,

Oh,

She added reproachfully,

Turning to Matthew,

Why didn't you tell me at the station that you didn't want me and leave me there?

If I hadn't seen the white way of delight and the lake of shining waters,

It wouldn't be so hard.

What on earth does she mean?

Demanded Marilla,

Staring at Matthew.

She's just referring to some conversation we had on the road,

Said Matthew hastily.

I'm going out to put the mare in,

Marilla.

Have tea ready when I come back.

Did Mrs.

Spencer bring anybody else besides you?

Continued Marilla after Matthew had gone out.

She brought Lily Jones for herself.

Lily is only five years old,

And she's very beautiful and has nut brown hair.

If I were very beautiful and had nut brown hair,

Would you keep me?

No,

We wanted a boy to help Matthew on the farm.

A girl would be of no use to us.

Take off your hat.

I'll put it and your bag on the hall table.

Anne took off her hat meekly.

Matthew came back presently,

And they sat down to supper.

But Anne could not eat.

She nibbled at the bread and butter and pecked at the crab apple preserve out of the little scalloped dish by her plate,

But she didn't really make any progress at all.

You're not eating anything,

Said Marilla sharply,

Eyeing her as if it were a serious fault.

Anne sighed.

I can't.

I'm in the depths of despair.

Can you eat when you're in the depths of despair?

I've never been in the depths of despair,

So I can't say,

Responded Marilla.

Really?

Well,

Have you ever tried to imagine you were in the depths of despair?

No,

I haven't.

Then I don't think you can understand what it's like.

It's a very uncomfortable feeling.

When you try to eat,

A lump comes right up in your throat and you can't swallow anything,

Not even if it was a chocolate caramel.

I had a chocolate caramel once,

Two years ago,

And it was simply delicious.

I've often dreamed since then that I had a lot of chocolate caramels,

But I always wake up just when I'm about to eat them.

I do hope you won't be offended because I can't eat.

Everything's very nice,

But still,

I cannot eat.

I guess she's tired,

Said Matthew,

Who hadn't spoken since his return from the barn.

Best put her to bed,

Marilla.

Marilla had been wondering where Anne should sleep.

She had prepared a couch in the kitchen chamber for the expected boy,

But although it was neat and clean,

It did not seem right to put a girl there.

However,

The spare room was out of question for such a stray child,

So there remained only the East Gable room.

Marilla lit a candle and told Anne to follow her,

Which Anne did,

Taking her hat and carpet bag from the hall table as she passed.

The hall was fearsomely clean.

The little Gable chamber,

Where she soon found herself,

Seemed even cleaner.

Marilla set the candle on a three-legged,

Three-cornered table and turned down the bedclothes.

I suppose you have a nightgown,

She asked.

Anne nodded.

Yes,

I have two.

The matron of the asylum made them for me.

They're very skimpy.

There is never enough to go round in an asylum,

So things always get skimpy,

At least in a poor asylum like ours.

I hate skimpy nightdresses,

But one can dream just as well in them as in lovely trailing ones with frills around the neck.

That's one consolation.

Well,

Undress as quick as you can and go to bed.

I'll come back in a few minutes for the candle.

I don't trust you to put it out yourself.

You'd likely set the place on fire.

When Marilla had gone,

Anne looked around her wistfully.

The whitewashed walls were so painfully bare and stark that she thought they must ache over their own emptiness.

The floor was bare too,

Except for a round braided mat in the middle,

Something Anne had never seen before.

In one corner was the bed,

A high old-fashioned one with four dark low-turned posts.

In the other corner was the small three-cornered table adorned with a fat red velvet pincushion hard enough to turn the point of the most adventurous pin.

Above it hung a small six-by-eight mirror.

Midway between the table and bed was the window with an icy white muslin frill over it,

And opposite was the washstand.

The whole room was so rigid and unwelcoming it sent a shiver to the very marrow of Anne's bones.

With a sob,

She hastily discarded her garments,

Put on the skimpy nightgown,

And sprang into bed where she burrowed face down into the pillow and pulled the covers over her head.

When Marilla came up for the light,

Various skimpy articles of clothing were scattered untidily over the floor and the bed had a certain tempestuous appearance.

These were the only indications that Anne was there.

Marilla deliberately picked up Anne's clothes,

Placed them neatly on a prim yellow chair,

And then,

Taking up the candle,

Went over to the bed.

Good night,

She said,

A little awkwardly,

But not unkindly.

Anne's white face and big eyes appeared over the bedclothes with startling suddenness.

How can you call it a good night?

When you know it must be the very worst night I've ever had,

She said reproachfully.

Then she dived down into invisibility again.

Marilla went slowly down to the kitchen and proceeded to wash the supper dishes.

Matthew was smoking,

A sure sign of a troubled mind.

He seldom smoked,

For Marilla considered it a filthy habit,

But at certain times he felt driven to it.

And then Marilla tolerated the practice,

Realizing that a man must have some outlet for his emotions.

Well,

This is a fine mess,

She said wrathfully.

This is what comes of sending word instead of going ourselves.

Richard Spencer's folks have twisted that message somehow.

One of us will have to drive over and see Mrs.

Spencer tomorrow,

That's certain.

This girl will have to be sent back to the asylum.

Yes,

I suppose so,

Said Matthew reluctantly.

You suppose so?

Don't you know it?

Well now,

She's a real nice little thing,

Marilla.

It's kind of a pity to send her back when she's so set on staying here.

Matthew Cuthbert,

You don't mean to say you think we ought to keep her?

Marilla's astonishment could not have been greater if Matthew had expressed a desire to stand on his head.

Well,

Now,

No,

I suppose not,

Not exactly,

Stammered Matthew,

Uncomfortably cornered for his precise meaning.

I suppose we could hardly be expected to keep her.

I should say not.

What good would she be to us?

We might be some good to her,

Said Matthew suddenly and unexpectedly.

Matthew Cuthbert,

I believe that child has bewitched you.

I can see as plain as day that you want to keep her.

Well now,

She's a really interesting little thing,

Persisted Matthew.

You should have heard her talk on the way from the station.

Oh,

She can talk fast enough.

I saw that at once.

It's nothing in her favor either.

I don't like children who have so much to say.

I don't want an orphan girl,

And if I did,

She isn't the type I'd pick.

There's something about her I don't understand.

No,

She's got to be sent straight back to where she came from.

I could hire a French boy to help me,

Said Matthew,

And she'd be company for you.

I'm not suffering for company,

Said Marilla shortly,

And I'm not going to keep her.

Well now,

It's just as you say,

Of course,

Marilla,

Said Matthew,

Rising and putting his pipe away.

I'm going to bed.

To bed went Matthew,

And to bed,

When she had put the dishes away,

Went Marilla,

Frowning most resolutely.

And upstairs,

In the east gable,

A lonely,

Heart-hungry,

Friendless child cried herself to sleep.

Chapter 4 Morning at Green Gables It was broad daylight when Anne awoke and sat up in bed,

Staring confusedly at the window through which a flood of cheerful sunshine was pouring.

Outside,

Something white and feathery waved across glimpses of blue sky.

For a moment,

She could not remember where she was.

First came a delightful thrill,

As if something very pleasant,

Then a horrible realization.

This was Green Gables,

And they did not want her because she wasn't a boy.

But it was morning and,

Yes,

It was a cherry tree in full bloom outside her window.

With a bound,

She was out of bed and across the floor.

She pushed up the sash.

It went up stiffly and creakily,

As if it hadn't been opened for a long time,

Which was the case,

And it stuck so tightly that nothing was needed to hold it up.

Anne dropped to her knees and gazed out into the June morning,

Her eyes glistening with delight.

Oh,

Wasn't it beautiful?

Wasn't it a lovely place?

Suppose she wasn't really going to stay here.

She would imagine she was.

There was scope for imagination here.

A huge cherry tree grew outside,

So close that its branches tapped against the house,

And it was so thick with blossoms that hardly a leaf was to be seen.

On both sides of the house was a big orchard,

One of apple trees and one of cherry trees,

Also showered with blossoms,

And the grass was all sprinkled with dandelions,

And the garden below were lilac trees,

Purple with flowers,

And their dizzying sweet fragrance drifted up to the window on the morning wind.

Below the garden,

A green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew,

Upspringing arily out of an undergrowth,

Suggestive of delightful possibilities in ferns,

Mosses,

And woodsy things generally.

But it was a hill,

Green and feathery with spruce and fir.

There was a gap in it where the grey gable end of the little house she had seen from the other side of the lake of shining waters was visible.

Off to the left were the big barns and beyond them,

Away down over green,

Low-sloping fields,

Was a sparkling blue glimpse of the sea.

Anne's beauty-loving eyes lingered on it all,

Taking everything in greedily.

She had looked on so many unlovely places in her life,

Poor child,

But this was as lovely as anything she had ever dreamed.

She knelt there,

Lost to everything but the loveliness around her,

Until she was startled by a hand on her shoulder.

Marilla had come in unheard by the small dreamer.

It's time you were dressed,

She said curtly.

Marilla really did not know how to talk to the child,

And her uncomfortable ignorance made her crisp and curt when she did not mean to be.

Anne stood up and drew a long breath.

Oh,

Isn't it wonderful,

She said,

Waving her hand comprehensively at the good world outside.

It's a big tree,

Said Marilla,

And it blooms great,

But the fruit doesn't amount to much,

Small and wormy.

Oh,

I don't mean just the tree,

Of course it's lovely,

Yes,

It's radiantly lovely,

It blooms as if it meant it.

But I meant everything,

The garden and the orchard and the brook and the woods,

The whole big dear world.

Don't you feel as if you just love the world on a morning like this?

And I can hear the brook laughing all the way up here.

Have you ever noticed what cheerful things brooks are?

They're always laughing,

Even in the wintertime I've heard them under the ice.

I'm so glad there's a brook near Green Gables.

Perhaps you think it doesn't make any difference to me when you're not going to keep me,

But it does.

I shall always like to remember that there is a brook at Green Gables,

Even if I never see it again.

If there wasn't a brook,

I'd be haunted by the uncomfortable feeling that there ought to be one.

I'm not in the depths of despair this morning,

I never can be in the morning.

Isn't it a splendid thing that there are mornings?

But I feel very sad.

I've just been imagining that it was really me you wanted after all,

And that I was to stay here forever and ever.

It was a great comfort while it lasted.

But the worst of imagining things is that the time comes when you have to stop,

And that hurts.

You'd better get dressed and come downstairs and never mind your imaginings,

Said Marilla,

As soon as she could get a word in edgewise.

Breakfast is waiting.

Wash your face and comb your hair.

Leave the window up and turn your bedclothes back over the foot of the bed.

Be as smart as you can.

Anne could evidently be smart to some purpose,

For she was downstairs in ten minutes,

With her clothes neatly on,

Her hair brushed and braided,

Her face washed,

And a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements.

As a matter of fact,

However,

She had forgotten to turn back the bedclothes.

I'm pretty hungry this morning,

She announced,

As she slipped into the chair Marilla placed for her.

The world doesn't seem such a howling wilderness as it did last night.

I'm so glad it's a sunny morning,

But I like rainy mornings real well,

Too.

All sorts of mornings are interesting,

Don't you think?

You don't know what's going to happen through the day,

And there's so much scope for imagination.

But I'm glad it's not rainy today,

Because it's easier to be cheerful and bear up under affliction on a sunny day.

I feel that I have a good deal to bear up under.

It's all very well to read about sorrows and imagine yourself living through them heroically,

But it's not so nice when you really come to have them,

Is it?

For pity's sake,

Hold your tongue,

Said Marilla.

You talk entirely too much for a little girl.

Thereupon,

Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous,

As if in the presence of something not exactly natural.

Matthew also held his tongue,

But this was natural,

So the meal was a very silent one.

As it progressed,

Anne became more and more abstracted,

Eating mechanically,

With her big eyes fixed unswervingly and unseeingly on the sky outside the window.

This made Marilla more nervous than ever.

She had an uncomfortable feeling that while this odd child's body might be at the table,

Her spirit was far away in some remote airy cloudland borne aloft on the wings of imagination.

Who would want such a child about the place?

Yes,

Matthew wished to keep her,

Of all unaccountable things.

Marilla felt that he wanted it just as much this morning as he had the night before,

And that he would go on wanting it.

That was Matthew's way.

Take a whim into his head and cling to it with the most amazing silent persistence,

A persistence ten times more potent and effective in its very silence than if he had talked it out.

When the meal ended,

Anne came out of her reverie and offered to wash the dishes.

Can you wash dishes properly?

Asked Marilla distrustfully.

Pretty well.

I'm better at looking after children,

Though.

I've had so much experience at that.

It's such a pity you haven't any here for me to look after.

I don't feel as if I wanted any more children to look after than I've got at present.

You're problem enough in all conscience.

What's to be done with you,

I don't know.

Matthew is a most ridiculous man.

I think he's lovely,

Said Anne reproachfully.

He's so very sympathetic.

He didn't mind how much I talked.

He seemed to like it.

I felt that he was a kindred spirit as soon as I ever saw him.

You're both queer enough,

If that's what you mean by kindred spirit,

Said Marilla with a sniff.

Yes,

You may wash the dishes.

Take plenty of hot water,

And be sure you dry them well.

I've got enough to attend to this morning,

For I'll have to drive over to White Sands in the afternoon and see Mrs.

Spencer.

You'll come with me,

And we'll settle what's to be done with you.

After you finish the dishes,

Go upstairs and make your bed.

Anne washed the dishes deftly enough,

As Marilla,

Who kept a sharp eye on the process,

Discerned.

Later on,

She made her bed less successfully,

For she had never learned the art of wrestling with a feather tick.

But it was done somehow and smoothed down.

Then Marilla,

To get rid of her,

Told her she might go outdoors and amuse herself until dinner time.

Anne flew to the door,

Face alight,

Eyes glowing.

On the very threshold,

She stopped short,

Turned around,

Came back and sat down by the table.

Light and glow as effectively blotted out as if someone had clapped an extinguisher on her.

What's the matter now?

Demanded Marilla.

I don't dare go out,

Said Anne,

In the tone of a martyr relinquishing all earthly joys.

If I can't stay here,

There is no use in my loving green gables.

And if I go out there and get acquainted with all those trees and flowers,

And the orchard and the brook,

I'll not be able to help loving it.

It's hard enough now,

So I won't make it any harder.

I want to go out so much.

Everything seems to be calling to me.

Anne,

Anne,

Come out to us.

Anne,

Anne,

We want to play mate.

But it's better not.

There is no use in loving things if you have to be torn from them,

Is there?

And it's so hard to keep from loving things,

Isn't it?

That was why I was so glad when I thought I was going to live here.

I thought I'd have so many things to love and nothing to hinder me.

But that brief dream is over.

I'm resigned to my fate now,

So I don't think I'll go out for fear I'll get unresigned again.

What is the name of that geranium on the windowsill,

Please?

That's the apple-scented geranium.

Oh,

I don't mean that sort of name.

I mean just a name you gave it yourself.

Didn't you give it a name?

May I give it one then?

May I call it… let me see… Bonnie would do.

May I call it Bonnie while I'm here?

Oh,

Do let me.

Goodness,

I don't care.

But where on earth is the sense of naming a geranium?

Oh,

I like things to have names.

Even if they are only geraniums.

It makes them seem more like people.

How do you know but that it hurts a geranium's feelings just to be called a geranium and nothing else?

You wouldn't like to be called nothing but a woman all the time.

Yes,

I shall call it Bonnie.

I named the cherry tree outside my bedroom window this morning.

I called it Snow Queen because it was so white.

Of course it won't always be in blossom,

But one can imagine that it is,

Can't one?

I never in all my life saw or heard anything to equal her,

Muttered Marilla,

Retreating to the cellar for potatoes.

She is kind of interesting,

As Matthew says.

I can feel already that I'm wondering what on earth she'll say next.

She'll be casting a spell over me too.

She's cast it over Matthew.

That look he gave me when he went outside said everything he said or hinted last night all over again.

I wish he was like other men and would talk things out.

Then a person could answer back and argue him into reason.

But what's to be done with a man who just looks?

Anne had relapsed into reverie with her chin in her hands and her eyes on the sky when Marilla returned from her cellar trip.

There Marilla left her until the early dinner was on the table.

I suppose I can have the marron buggy this afternoon,

Matthew,

Said Marilla.

Matthew nodded and looked wistfully at Anne.

Marilla intercepted the look and said grimly,

I'm going to drive over to White Sands and settle this thing.

I'll take Anne with me,

And Mrs.

Spencer will probably make arrangements to send her back to Nova Scotia at once.

I'll set your tea out for you,

And I'll be home in time to milk the cows.

Still,

Matthew said nothing,

And Marilla had a sense of having wasted words and breath.

There is nothing more aggravating than a man who won't talk back,

Unless it is a woman who won't.

Matthew hitched the sorrel into the buggy in due time,

And Marilla and Anne set off.

Matthew opened the yard gate for them,

And as they drove slowly through,

He said to nobody in particular,

As it seemed,

Little Jerry Boote from the creek was here this morning,

And I told him I guessed I'd hire him for the summer.

Marilla made no reply,

But she hit the unlucky sorrel such a vicious clip with the lip that the fat mare,

Unused to such treatment,

Whizzed indignantly down the lane at an alarming pace.

Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate,

Looking wistfully after them.

Sweet dreams,

My friend.

Sleep well.