05:53

The Art Of Meditation As Bravery Acquisition: Part One.

by Nicholas Sakellariou, PhD

Rated
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guided
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Meditation
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In this first session, meditation is described in three steps: posture, breathing, and muscular positioning between the eyebrows. I will guide each of these steps in that sequence, and I will conclude with how to prepare oneself for entering a meditative state. To log your efforts throughout this series, I recommend writing down your impressions prior to and after sequencing. For example, you can ask yourself: “What courageous attitude did I show recently?” “Was I feeling, while behaving courageously, that I did not have another choice?”

MeditationBraveryBreathingPositionsRelaxationFocusBravery And BalanceNervous System RelaxationChinFocused MindLight VisualizationsPosturesVisualizations

Transcript

The Art of Meditation as Bravery Acquisition Part 1 by Nicolas Saikalariu.

It is my great pleasure to welcome you to a meditation course which has been designed to bring its participants to see for themselves the connection between being single-minded and having a courageous attitude.

In this first session,

Meditation is described in three steps.

Posture,

Breathing and muscular positioning between the eyebrows.

I will guide each of these steps in that sequence and I will conclude with how to prepare oneself for entering a meditative state.

To log your efforts throughout this series,

I recommend writing down your impressions prior and after sequencing.

For example,

You can ask yourself,

What courageous attitude did I show recently?

Was I feeling while behaving courageously that I did not have another choice?

There is neither a connection between body alignment and the ability to attain a meditative state,

Nor does breathing affect the benefits of seeing single-mindedly.

I have spoken elsewhere about the biochemical characteristics of meditation,

Thus this correspondence will be about how to approach it from a methodological standpoint.

You can sit back on a chair or relax on your couch.

The most important thing is that you do not feel distracted by an aching part of your body.

If your eyes are sensitive to light,

Finding a location or closing them feels restful.

You can try out a few times before beginning by testing which screen,

Visible to someone as they close their eyes,

Has the most soothing effect.

The screen you see is a rectangular shape that delineates itself from the sides of your gaze,

The same way a theatrical scene stands out from the walls of a theater.

Such rectangular lines are soft,

A shade darker from what they contain,

Whereas the upper horizontal line is seen first,

To be followed by the two vertical and lower horizontal ones.

The shape I'm referring to may not be detected at first,

Which is the result of the optic nerves being used to absorb higher-frequency light.

To lower that frequency,

You could draw the curtains if it is daytime,

Or turn off the light if you're meditating at night.

The sign the optic nerves leading to the ocular bulbs are receiving stimulus from the light passing through their eyelids is a glowing effect.

Keeping the eyelids closed for some time has,

Depending on your concentration between the eyebrows,

Due to the accentuation of the stimulus,

This rectangular shape drawn at your internal gaze.

Vocadry is the result of stabilizing a specific wavelength induced from that concentration.

Other light formations,

Known as phosphenes,

May be induced as well,

Including circles,

Dots,

Lines,

And flashes.

You are either seated comfortably or lying on your bed or sofa.

Your eyes are closed and you are experiencing light sensations,

Which are known as phosphenes.

I invite you to take a deep breath through your nose,

Followed by a slow exhalation.

Such breathing is soothing for the spine because the oxygen moving through it,

Due to passing less rapidly,

Does not tense one's vertebral lymphatic network.

Upon feeling your spine more relaxed,

I encourage you to commence breathing without being conscious of it.

Begin,

If you have not done so yet,

Sealing your lips as you would normally,

Effortlessly.

Then try positioning your chin slightly towards your chest,

Which,

Apart from resting your neck during longer meditation sessions,

Releases the shoulders by bringing less weight to them.

This positioning,

If you are seated,

Can be adjusted from time to time.

If you are lying on your bed or couch,

It is not applicable.

Having relaxed the body through a combination of posture and breathing,

You proceed with the third component of entering a meditative state,

Which is directing the muscles above the nose upward,

While maintaining gaze to the screen that is viewed when the eyes close.

Two prompts are to be remembered.

First,

You can visualize the letter V taking shape from the corner of each eye.

Lifting the muscles places the angle of that V on the base of the nose.

Second,

The lift is not an exaggerated one.

Rather,

Initiated from tissue below,

Does not produce frowning,

Although the meditator can feel,

By placing a finger on either eyebrow,

A minimal rise.

In preparation for entering the three steps,

Posture,

Breathing,

And concentration between the eyebrows,

I suggest choosing a time of the day that you either have finished a physically demanding activity,

Or you have just woken up.

The reason being,

The mind is less full during such conditions.

Also,

The body is more relaxed,

Making therefore each step easier to come about.

The first part of introducing meditation as bravery acquisition has come to an end,

Following as a short expression of seeing single-mindedly.

I will give you the key to interpret prior to expressing.

Sensational means through the body,

A conduit of emotions.

The eye circumscribes sensational independence.

Only there is two ways to see this.

This may seem independent of you,

Or you may stare at this as if it were a picture of you alone,

That is,

Admired by closing the eyes.

Meet your Teacher

Nicholas Sakellariou, PhDSan Diego, CA, USA

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© 2026 Nicholas Sakellariou, PhD. All rights reserved. All copyright in this work remains with the original creator. No part of this material may be reproduced, distributed, or transmitted in any form or by any means, without the prior written permission of the copyright owner.

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